Document Type : Original Article
Authors
1 Department of law and political sciences, University of Tehran, Tehran, Iran
2 Department of Law and Political Sciences, University of Tehran, Tehran, Iran
Allagui, I. (2014). Waiting for spring: Arab resistance and change. International Journal of Communication, 8, Article 19328036.
Ancelovici, M. (2021). Bourdieu in movement: Toward a field theory of contentious politics. Social Movement Studies, 20(2), 155–173.
Atton, C. (2003). Reshaping social movement media for a new millennium. Social Movement Studies, 2(1), 3–15.
Buechler, S. M. (2016). Understanding social movements: Theories from the classical era to the present. Routledge.
Barbencey, P. (1995, October 17). Nouri Bouzid: Une société fondée sur le viol. L’Humanité. https://www.humanite.fr/-/-/nouri-bouzid-une-societe-fondee-sur-le-viol
Barrie, C. (2023). The process of revolutionary protest: Development and democracy in the Tunisian revolution. Perspectives on Politics, 1–19.
Bayat, A. (2021). Revolutionary life: The everyday of the Arab Spring. Harvard University Press.
Beau, N., & Tuquoi, J. P. (2002). Notre ami Ben Ali: L’envers du miracle tunisien. La Découverte.
Bourdieu, P. (2011). The forms of capital. In A. Portes (Ed.), The sociology of economic life (pp. 78–92). Routledge.
Bouzouita, K. (2013). Music of dissent and revolution. Middle East Critique, 22(3), 281–292.
Breuer, A., Landman, T., & Farquhar, D. (2015). Social media and protest mobilization: Evidence from the Tunisian revolution. Democratization, 22(4), 764–792.
Caillé, P. (2020). Amateur filmmaking in Tunisia: A political film culture eliding contradictions in national cinema. In T. Ginsberg & C. Lippard (Eds.), Cinema of the Arab world. Palgrave Macmillan.
Chemam, M. (2022, August 5). Leaving a mark: Tunisia, the hotbed of Arab street art. The New Arab. https://www.newarab.com/features/leaving-mark-tunisia-hotbed-arab-street-art
Chamekh, M. (2020). Underground music in Tunisia: The case of Awled Al Manajim under Ben Ali. Middle East Critique, 29(4), 371–394.
Chomiak, L. (2011). The making of a revolution in Tunisia. Middle East Law and Governance, 3(1–2), 68–83.
Danawer, F. A. (2023). Contemporary Arab graffiti: Motivations, themes, and characteristics. University of Sharjah Journal for Humanities & Social Sciences, 20(1).
El Issawi, F. (2012). Tunisian media in transition. Carnegie Endowment for International Peace. http://www.lse.ac.uk/media@lse/Polis/Files/Tunisian-Media.pdf
Elouardaoui, O. (2013). The crisis of contemporary Arab television: Has the move towards transnationalism and privatization in Arab television affected democratization and social development in the Arab world? Global Societies Journal, 1.
Freedom House. (2022). Tunisia: Freedom on the Net 2022. https://freedomhouse.org/country/tunisia/freedom-net/2022
Gana, N. (2012). Rapping and remapping the Tunisian revolution. In R. Mehrez (Ed.), Resistance in contemporary Middle Eastern cultures (pp. 207–225). Routledge.
Georgeon, D. (2012). Revolutionary graffiti: Street art and revolution in Tunisia. Wasafiri, 27(4), 70–75.
Goodwin, J., Jasper, J. M., & Polletta, F. (Eds.). (2001). Passionate politics: Emotions and social movements. University of Chicago Press.
Gorgi, M. N. (2020). Ideological polarisation as an impediment to democratic consolidation in Tunisia (Doctoral dissertation, La Trobe University).
Harvey, D. (2015). The right to the city. In R. T. LeGates & F. Stout (Eds.), The city reader (5th ed., pp. 314–322). Routledge.
Herati, M., & Hosseini, A. (2019). Feasibility study of resource mobilization theory in the Tunisian and Libyan revolutions .World Politics, 8(4), 61–92.[In Persian].
Khamis, S., & Vaughn, K. (2013). Cyberactivism in the Tunisian and Egyptian revolutions: Potentials, limitations, overlaps and divergences. Journal of African Media Studies, 5(1), 69–86.
Laine, S., Suurpää, L., & Ltifi, A. (2018). Respectful resistance: Young musicians and the unfinished revolution in Tunisia. In E. Honwana (Ed.), What politics? Youth and political engagement in Africa (pp. 58–74)
Laing, D. (2003). Resistance and protest. In J. Shepherd, D. Horn, D. Laing, P. Oliver, & P. Wicke (Eds.), Continuum encyclopedia of popular music of the world: Volume I: Media, industry and society (p. 345). Continuum.
Lang, R. (2014). New Tunisian cinema: Allegories of resistance. Columbia University Press.
Lennon, J. (2014). Assembling a revolution: Graffiti, Cairo and the Arab Spring. Cultural Studies Review, 20(1), 237–275.
Lim, M. (2013). Framing Bouazizi: ‘White lies’, hybrid network, and collective/connective action in the 2010–11 Tunisian uprising. Journalism, 14(7), 921–941.
Masri, S. M. (2017). Tunisia: An Arab anomaly. Columbia University Press.
McAdam, D., Tarrow, S., & Tilly, C. (2001). Dynamics of contention. Cambridge University Press.
McCarthy, R. (2014). Re-thinking secularism in post-independence Tunisia. The Journal of North African Studies, 19(5), 733–750.
Miller, A. (2021). Tunisian cinema after the Arab Spring: Portrait of a nation in transition. Anthropology Now, 13(2), 123–128. https://doi.org/10.1080/19428200.2021.197385
Nicoarea, G. (2012). Cultural interactions in the graffiti subculture of the Arab world: Between globalization and cosmopolitanism. Romano-Arabica, 12.
Noormohammadi, M. (2012). The role of virtual social networks in the Tunisian revolution .Quarterly Journal of Media Studies, 22(3–4), 16–93.[In Persian].
Palma, A. E. (2014). Of laws tattooed in flesh: Street poetry, hip-hop, and graffiti and the contest for public space in post-revolutionary Tunisia (Doctoral dissertation, University of California, Los Angeles).
Pardey, C. (2022). Oscillating bodies: Understanding Tunisian society through its novels (1956–2011). Reichert Verlag, 256.
Pollock, J. (2011). Streetbook: How Egyptian and Tunisian youth hacked the Arab Spring. Technology Review, 114(5), 70–82.
Reporters Without Borders. (2004). Internet under surveillance – Tunisia. https://www.refworld.org/reference/annualreport/rsf/2004/en/48877
Saidani, M. (2017). Post-revolutionary Tunisian youth art: The effect of contestation on the democratization of art production and consumption. In What politics? Youth and political engagement in Africa (pp. 111–121). Brill.
Schriwer, C. (2014). Graffiti arts and the Arab Spring. In R. Hinnebusch (Ed.), Routledge handbook of the Arab Spring (pp. 376–391). Routledge.
Shilton, S. (2013). Art and the ‘Arab Spring’: Aesthetics of revolution in contemporary Tunisia. French Cultural Studies, 24(1), 129–145.
Shilton, S. (2021). Art and the Arab Spring: Aesthetics of revolution and resistance in Tunisia and beyond (Vol. 16). Cambridge University Press.
Sunya, S. (2021). Distributed histories of Tunisian amateur cinema and the screening of nontheatrical film. In K. Wasson & C. Cripps (Eds.), Global perspectives on amateur film histories (pp. 261–278). Indiana University Press.
Tilly, C. (1977). From Mobilization to Revolution. United Kingdom: McGraw-Hill.
Toffler, A. & Alvin, T. (1980). The third wave, New York: Bantam books, Vol. 484.
Tsourapas, G. (2013). The other side of a neoliberal miracle: Economic reform and political de-liberalization in Ben Ali’s Tunisia. Mediterranean Politics, 18(1), 23–41.
Zemni, S. (2017). The Tunisian revolution: Neoliberalism, urban contentious politics and the right to the city. International Journal of Urban and Regional Research, 41(1), 70–83